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Originally posted by Dom
Me being picky but it sounds like the crash-tail is getting filtered on the high-pass cut fills - so, for example, at 1:22 you get the filtered tail as you drop in, then at 1:23 the tail suddenly drops to the full bandwidth.

And for an idea that might add a bit more atmosphere to the 'build-up', what about doing something like a Barthezz/Delerium-esque break? At 2:30 break with huge crashes/downlifts for a bar, then bring in a low-pass filtered (sub)bass for a bar or two, then slowly bring in the arp-synths and ride the cuts on both for a few more bars building up to another 'mini' break, kick/crashes/up and downlifts, bring in the 'piano'-synth and the break percussion you have, bring in the 'running' snares/kicks etc

Perhaps also try exaggerating the cut at 4:32 before you drop-in.

But yeah, really like that!


Edit - Also do something with 'Some house groove'! You've got a really decent synth/hook going, especially when you open up the cut!

[Edited on 16-04-2012 by Dom]

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